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Showing posts with label Opinion Post. Show all posts
Showing posts with label Opinion Post. Show all posts

Monday, November 18, 2013

YA Book-to-Movie News Roundup

Interno di un sala da cinema


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Ender's Game premiered Nov. 1, 2013.

The Book Thief premiered Nov. 8, 2013.

Catching Fire premieres Nov 22, 2013.

Divergent premieres Mar. 21, 2014.

The Maze Runner premieres Sept. 19, 2014.

I, for one, love to watch as Hollywood discovers YA Fiction. 

The Lakeport Cinema is doing a special double-feature for The Hunger Games and Catching Fire on Thursday, Nov. 21 for $12. What a fun event for a family outing!

The Mockingjay movie (third in Hunger Games Trilogy) will be split into two parts (thanks to screenrant.com for the news). Boo! The book isn't long or detailed enough to merit the split, but Hollywood WILL MAKE THEIR MONEY, Y' HEAR?

The Divergent movie trailer looks good! Much better than the teaser trailer did. I read Divergent in one sitting when I should have been doing homework, which speaks to its thrills and pacing. This book also packs a thematic punch, which I love, but it has some plotting and worldbuilding problems. But! Check the new trailer:



Thanks to GreenBeanTeenQueen for the news.

The Giver, a classic in Children's Literature, is also being filmed and is scheduled to premiere on August 15th 2014 (thanks to ropeofsilicon.com for the news). The book is a wonderfully lyrical, disturbing Dystopia by Lois Lowry (a prolific author of several critically acclaimed children's and young adults' novels).  Many famous actresses and actors populate this cast, including Meryl Streep. Exxxxcited! Certain readers, however, are rumbling about Hollywood's choice to cast a 24 year old actor for Jonas, the 12 year old main character of the book. Personally, it doesn't worry me too much--Hollywood can remake Jonas into a teenager without impacting the story line too much. I hope.

Though filming for The Maze Runner is over, the director protracted the release date until September 19, 2014 (thanks to Hypable for the news). Again, boo. But maybe that's a good thing--we wouldn't want an undercooked film, after all. I enjoyed the trilogy, which is why it made my 2013 Summer Reading Recommendations. If you want to read my book review + craft post on the trilogy, you can click here. By the way, have you seen these Maze Runner trading cards?

*11/21/13 Update: I forgot to mention that the film adaption of Meg Rosoff's How I Live Now premiered on Oct. 4th 2013.

Photo Attribution:
I, Sailko [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/), CC-BY-2.5 (http://creativecommons.org/licenses/by/2.5) or Public domain], via Wikimedia Commons

Monday, November 11, 2013

8 Things for Christian (and Other) Parents to Love About Twilight

I'm not a parent...but I was a teenager during that first humongous Twilight boom and I really enjoyed the books. I've just reread the first book to see if all the criticisms about it are true. Coming back to it as an older person, more experienced reader, and aspiring writer, I can understand the criticism; but there's been plenty of that. It's time to give Twilight a little well-deserved lovin'.

*By the way, this post contains some spoilers. But if you're reading these words, you've probably either already read and love/hate the book, or you are curious about its content. So read on!

Bella and Edward As Teen Role Models (Don't laugh, yet.)

 

1) Bella and Edward wait to have sex until after they get married. I mean, seriously, do you want your sixteen year old having sex with her boyfriend? How about her second or third boyfriend? No? Then Bella and Edward can be an example in this regard.

2) Edward is a respectful, old-fashioned kind of guy. He respects Bella's dad Charlie, and he's actually the one in the relationship who insists on marriage before sex.

3) Bella is a responsible young adult. She finishes school essays several days before their due dates. She reads literature. She shops and cooks for her father. She was ready and willing to buy her own car with her own money. Are you liking this, parents? She's actually not a bad role model, in a lot of ways.

Spiritual Matters

 

4) This book touches on a few spiritual matters. During chapter 14, "Mind Over Matter," Bella asks how vampires might have originated. Edward replies,

"Well, where did you come from? Evolution? Creation?
Couldn't we have evolved the same way as other species,
predator and prey? Or if you don't believe that all this
world could have just happened on its own, which is hard
for me to accept myself, is it so hard to believe that the
same force that created the delicate angelfish with the
shark, the baby seal and the killer whale, could create both
our kinds together?"
 
I thought this was a beautiful way to suggest the question of origins to a teenager. This idea appears in few books, much less in Teen lit where it should be since teens are still feeling all this out for themselves. (Check out this video, around the 5 minute mark, for a minute long overview of Stephanie Meyer's religious views, and how they impacted her book.)

5) The books don't glorify the blood-sucking, evil sides of vampires. I haven't read Dracula, so I know very little about the classical metaphors, etc. But I do know that these are "vegetarian vampires," meaning they've found a way to control their thirst without drinking the blood of humans. Edward worries about his soul. These don't sound like the dangerous, evil vampires that Christians worry might influence the minds of their children. And anyway, most kids know the difference between fantasy and reality. Twilight won't demonize the minds of your children. I understand that this is a personal opinion, though. If you aren't comfortable with it, I won't try to convince you any farther.

Good Reading Experiences



6) Moms and daughters can read and enjoy these books together. It's been done. Seriously.

7) It'll get your teen girl reading! What's not to like? One positive reading experience can easily lead to another. Would you rather your daughter be watching TV or reading Twilight? By the way, Twilight is a pretty big book for a reluctant reader to pick up (my copy has 498 pages and rivals a few of my Bibles in thickness). If they're reading it, I say give 'em a gold star.

8) The classical references throughout the series spur teens on to read and listen to the classical sources. How do I know? Because I read Wuthering Heights after Twilight piqued my curiosity about it. I didn't like "the classics" back then, but Twilight helped me along. And if it makes your teen curious about vampires? Tell her to read Dracula. That's kind of a classic, you know?




Before I leave you to consider these things, let me tell you that the books are NOT the same things as the movies. I really...dislike the movies. But I like the books. And before you decide you don't like the books, give them a fair trial, please.

Monday, October 28, 2013

Three Goodies: New Narnia, TTT & Self-Publishing Done Right


I have three announcements!

First, the next Narnia movie is in the works: The Silver Chair!

Second, the Young Adult Library Services Association (YALSA) announced the Teens' Top Ten Winners- Woot!

For a list of the books and other information about Teens' Top Ten, check out YALSA's website page, or this post in which I explain why I love the TTT competition.

And, finally, earlier today the blogging sensation Nathan Bransford released his first self-pubbed book, a writing guide. Happily, Bransford presents writers an example of "the right way" to self-publish for a large audience. He hired two editors, a cover designer, the whole shebang to prepare his book for the public. I haven't read it yet, but I certainly will.

Monday, October 21, 2013

NaNoWriMo Perspectives and Helps

Bundesarchiv Bild 146-1981-076-05A, NSV-Mütterheim
Just picture it: you are your newborn
(novel).
Hello, Scribblers and Book Bandits,

If you are considering doing NaNoWriMo this year, welcome to a smorgasbord of perspectives on the matter! Every year, as October comes to an end, I post about this month-long literary celebration. Here are a few old posts and a few new ones for Wrimos to digest.

Last year, I posted a pre-NaNo roundup of great resources. They are still helpful, so feel free to check them out. The post by Mary Kole gives the positives and negatives of the exercise.  Nathan Bransford offers helpful resources in his post, such as his "NaNoWriMo Bootcamp." The experienced story consultant Lisa Cron talks about how to avoid the pitfalls inherent in a month-long noveling stint. Martha Alderson tells us how we can pre-plot our novels in preparation for the event.

This list of genre descriptions from Agentquery.com can help you discover and decide the genre of  novel-to-be.

Lisa Cron writes on the subject of NaNo once again, this time advising writers about how to prep your characters.

And, finally, young adult author and illustrator Ingrid Sundberg gives her own five tips about how to prepare.

So far, most of these posts have been supportive, if realistic, perspectives. But not everyone feels that way about NaNo, which is something important to consider. Maggie Stiefvater, who has tried NaNo in the past, 1.) rants about it (hilariously) in her annual "Dear John" letter, and 2.) explains why she dislikes it and why no one needs it.

As with everything else, we have to decide for ourselves whether NaNo can be a helpful part of our writing process. I'm in the midst of trying out the insane-outline approach to noveling, so I will not be taking part, at least in the traditional sense. What have you decided?

Photo Attribution:
Bundesarchiv, Bild 146-1981-076-05A / Höss / CC-BY-SA [CC-BY-SA-3.0-de (http://creativecommons.org/licenses/by-sa/3.0/de/deed.en)], via Wikimedia Commons

Monday, September 23, 2013

How I Write Essays in 16 Steps (Which can also be how YOU write essays in 16 Steps!)

Germinating seedling
If I've learned how to do one thing as an English major, it's how to write a solid essay. This process took a long time to refine, though, starting way back in Junior Year of high school. (Well, before then, my teachers tried to teach me. Thank you, Ben Sombs. But I was not very receptive at that time, I guess! :) Many of the teachers at Regent University online have been particularly helpful in giving me personalized feedback about what wasn't working in my essays. Gradually, this and writing stories have helped me develop a good process. (The processes of essay-writing and story-writing actually don't differ a whole lot, as I'll note along the way.) I don't always use every step because each essay is a little different; but I wanted to share all the tools I have used. This post will share everything I wish I knew back when I first started writing essays.
1.) Before I begin read my source (if the essay requires one) and subject or prompt, I find some good study materials to ponder along with my reading; if the essay requires no source, I carefully examine the prompt. Study questions are particularly helpful for research or analysis essays: I find them on websites like Sparknotes.com, or get them from a teacher. If I can, I find some sort of introduction or context for the source, as well. I also make sure to study my prompt very carefully; my AP English teacher always said "'AP' stands for 'Address the Prompt.'"
2.) Then I begin reading my source and taking notes on themes or anything that could possibly be useful.* For longish research essays, this step could take up quite a bit of time. But...I shut up and eat my peas. That's just how writing goes, sometimes! Hence why I like to get started on this a week or two before my essay is due.

*If I don't need a source, I just brainstorm about my topic and thesis. When I finish brainstorming, I skip to step 4 on this list.

Notes are like mind mulch. Good seeds come from mind mulch. (To see how I make mind mulch for stories, check out this post.)

3.) Once I'm finished reading, I just write about the material for a while in an effort to pin down topic ideas. Actually, sometimes I'm not finished reading everything, yet, if this is a research essay; but I make sure to constantly ask, "What is the author of the source trying to tell me?" as I do read and after I finish a source. As I observe main points and themes (for which the study questions come in handy), I keep asking myself what might be useful for my thesis. Throughout this step and the rest, I ask myself question after question about the material and my own notes so I can begin to understand it all and make connections. I describe this process in this post, if you are curious about it. Although I describe it there in terms of story-writing, it works exactly the same way in essay-writing.
4.) When I've brainstormed everything I can possibly think of to say on the sources and topics, I go back over my notes and highlight the best stuff I find there. This mysterious "best stuff" will often be made up of conclusions I've drawn from the rest of the mass. Sometimes I'll spend a whole page or more just coming to one conclusion. Most teachers never tell you that lots of "eh-but-necessary notes" happen before the good stuff happens. Once in a while, the study questions yield good stuff immediately. But by the time I finished my last essay, an analysis of Daniel Defoe's Moll Flanders, I ended up with a whopping six pages of messy notes on top of the four pages of my essay. And each note brought me closer to "the end."

5.) I compile the "good stuff" onto a new page or word document, separating it from the leftovers.  Typically, by this point, some sort of central idea is beginning to percolate in the back of my mind, so I pick the notes that fit that idea. But I make sure to save the old leftover notes in case I change my mind later.
6.) At this point, I might need to take a break. Emptying my brain is usually exhausting, if I do it right.
7.) Next, I make connections between my ideas by scanning and sorting my good notes (and, if necessary, my leftovers). I write s'more, beginning to form ideas for the introduction that will lead me and my readers through the mass of information (though the introduction will not truly take its final shape until later). If I need to, I riffle amongst those old notes I saved. Perhaps I find that I need to expand or change the central idea, or perhaps my exhausted brain picked the wrong central idea at first. Whatever the reason, old notes sometimes come in handy. Because I'm a visual learner, I use strikethrough text to cross out old ideas when they may have become irrelevant, and I use the highlighter tool to pick out new "good stuff." Actually, I don't know what the heck a visual learner is, or if I am one, but these two tools sure help! At this point, I am still asking and answering any questions about my own essay or my source the way I described in that post I mentioned in step 3.
8.) After I've picked some good ideas out of my notes, I develop a thesis. I refine the central idea I've been pondering. It may be tough to find amidst all the possibilities, so I keep them all, for now. My thesis may begin to come to me even before I've finished all my research. And even at this point, my central idea/Frankenstein monster thesis may completely change. I usually panic at this step because it's hard, but I'm sort of learning to skip that and just keep looking for the best option.  The best kind of thesis will not have lots of directions--it will be fairly concise. It will state a firm claim about my topic, one I think I can prove. Everything else I write in this essay will depend upon this one little sentence. Again, highlighting and strikethrough text come in handy.

The thesis is a lot like the premise of a story. Or like God. It is the Alpha and the Omega of your essay.

9.) Once I have my thesis, I move it onto a brand-spankin'-new page. This is a new beginning, because I finally have a focus point for my essay. But I keep my notes in a separate document in case I need them again.
10.) I use my notes to figure out what points to make in support of my thesis. These are called "supporting points," and they will form the backbone of my essay though the body paragraphs. It may take some time to find these main points. I compile all the major ideas I've discovered into the all important introductory paragraph, which is still messy. I compare them with my thesis and pick the best ones.
11.) Once I  have some possible "supporting points," there's nothing to do but try them out. I start filling in the spots between the supporting points to see if they actually lead anywhere (they don't always, but there's no way to find that out until I explore them). Yep, more notes! But these notes will eventually become my body paragraphs. I make sure to quote directly from my source to support each of my points. Even supporting points need support.
12.) Once I've filled out my body paragraphs, I start connecting them with transitions. If I can't connect one of my supporting points/body paragraphs, that's alright. I just paste it right near the top of my "notes" documents so I know where to find it, in case I change my mind. I may even erase it using "track changes" if I can't bear to simply remove it (another useful crossover from my story-writing process). Usually, by the time I've finished my essay and I check back on these track change deletions, I have no problem removing them because I've realized they just don't fit. This is how I trick myself into "killing my darlings."

13.) I tie everything up into a conclusion. I may form the conclusion at any time during the essay, not just at the end. Creating the conclusion helps me see my essay as a whole for the first time. It also forces me to see whether or not all the parts of the essay (introduction, body paragraphs and transitions) fit together. I summarize all of my main points and tie them into my argument, the thesis. And once I've finished with all these parts of the essay--thesis, body paragraphs, transitions and conclusion--there's only one essay component left to write.

14.) I write the introduction of the essay. This may seem backward, but let me explain. My introduction shows the reader the main points I will make and the order I will make them in.* If I don't know those things myself yet, how can I introduce them to my reader? I tinker with my introduction throughout the essay because it gives my essay both form and focus. It shares the "designing principle" (a term from John Truby's wonderful book The Anatomy of Story) of the essay with my readers--meaning, what will I cover and in what order? For example if I decide I'm going to argue how Moll Flanders changed after each of her (five) marriages in the essay, I might let them know the order: first marriage to last. Readers need to know this. So, to recap: once I've figured out my supporting points and tied them together using the transitions and conclusion, I can officially write "the" perfect intro to my creation because I finally have all the parts. That's what I write it at the end. Then I've finished my rough draft! The process gets easier from here on out.

*The introduction also interests the reader in my essay so they'll keep reading. This is called "hooking" the reader. A "hook" can be a quote, a question, a startling statistic or claim...anything that will interest them, really.

15.) I clean up the draft by clarifying rough spots, fixing typos and making it all-around prettier. This usually involves taking a step back and letting the work sit for a short time. If I have a few days (I usually don't), I'll come back to the essay and probably be glad I did. Oftentimes I'm too "close" to my work to catch all the typos. I almost always read my paper out loud to myself before turning it in, because that helps even an overloaded brain find the weak spots. Some people print papers out to spot more typos, but that doesn't do much for me. Save a tree. Once in a while I will change the font as I do a final read-through. This helps catch those final typos because, rather than skimming through all that Times New Roman again, I have to actually look at the words. And then? Then I'm finished.

16.) And I go celebrate. Seriously, that was hard work.

This process is extremely fluid, which can make it stressful. Every essay works out a little bit differently. I always use certain steps, but other steps I only use once in a while. And there is no set time period for writing an essay--often, it takes me at least a full day of slogging to complete a rough draft. But even sledding, an essay takes hours of diligent work. But once you learn to trust the process (your own process, I mean, not necessarily the one I've laid out here), then it will become a bit less stressful. We Scribblers must simply keep pressing on if we're going to write worth-while essays!


Photo Attribution
By Dbxsoul (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons

Saturday, July 13, 2013

To Be Truly Brave: Religion in YA Fiction

Metropolitan Cathedral 1 Curitiba BrasilI always thought YA Fiction was brave in breaking down boundaries and discussing the undiscussable in fiction. Homosexuality is a good example. In what other genres do you find titles like Boy Meets Boy? However, I've discovered the disheartening truth that YA Fiction isn't always being brave. Sometimes it is simply being trendy. What with the gay rights campaigns blaring, books about gay teenagers are becoming the popular causes to promote. But I think if YA Fiction wanted to be truly brave and groundbreaking, it would talk about something the overwhelming majority of teenagers worry about: religion.

At least 84% of the world identifies themselves with a religion, and much of the remaining 16% still believes in some sort of spirituality, according to this article by the Huffington Post. That's...most of the world! So you would think YA Fiction would be all over that.

But it's not. Why?

In America, it's popular, comfortable and sanctioned to bash religion. But that isn't the case in most of the world or in every circle of Americans.

I read an interview of the author Rae Carson, a secular humanist, in which she expresses regret that today's religious teens can't find themselves in the fiction supposedly written for them. When asked why she included religion in her Fantasy novel, she said, "I include it because religion exists, and because I think it's tragic when teenagers can't find themselves in fiction."

Teens today do have to deal with religion. They have to discover it and learn about it and decide what they believe. They may have religion in their family, or their family may be atheists, but they will still have to decide for themselves one way or the other.

Don't get me wrong: there is some YA Fiction that digs into religion, but most of the main-stream popular books bash it, brush it aside, or ignore it altogether. YA Fiction owes teens dialogue about something so important.

And by the way, it owes them more than blown up stereotypes and purposefully antagonistic representations.

So let's break the ringing silence and talk this out.

The social reading website, Goodreads.com, provides some religiously-themed YA Fiction booklists, in case you're looking for them. You can get to Goodreads by clicking the box of my book reviews in the top right of my blog site page.

On a side note, should Christian teens be relegated to reading "Christian Fiction" in order to identify themselves in their fun reading? I've talked before about my feelings on the label "Christian Fiction." What do you think?

Photo Attribution:
By Morio (photo taken by Morio) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons

Friday, May 17, 2013

2013 Summer Reading List and Recommendations

Scribblers and Book Bandits,

This might be my favorite post of the year: the summer reading list! First I will tell you what I'm reading this summer; then I will share my recommendations for your summer reads, based on my favorites for the year.

1.) My Fiction Study book: Catching Fire by Suzanne Collins.
  • Even more so than The Hunger Games, the second book in the series Catching Fire is a study in plot, suspense and pacing. The sleek, brutal style of this book matches the Dystopian storyline perfectly. The book is popular with guys and girls. All of these elements = what I need to learn for my own writing.
2.) My Adult Fiction book: The Elegance of the Hedgehog by Muriel Barbery.

  • This book was a recommendation from a reader friend, and it has grown fairly popular. Not to mention, I found the book at the Friends of the Library book sale. One dolluh, oh yeah. I'm going to give it a try, even though I rarely read Adult Fiction
3.) "Need Some Fun" book: Finnikin of the Rock by Melina Marchetta.

  • I've been dying to read this book ever since it came out. First of all, it's Fantasy. Of course, the author also wrote the Printz Award winning Jellicoe Road (which I have not read). And, okay, the cover caught my eye!

4.) Award Winner: Where Things Come Back by John Corey Whaley.

  • This book won both the Morris award and the Printz Award in 2012, which is virtually unheard of because the Morris award is for debut authors, but the Printz award has no such qualification. Honestly, I may or may not enjoy award-winners. Literary merit is important to me, but I hope for fun in my summer reading! Let's hope the story is excellent. I'll get back to you on it--it deserves a review.
5.) My Non-Fiction: After You Believe by N. T. Wright.

  • This was one of my textbooks on character for a leadership course, but it didn't feel like a textbook. It's a philosophical read that develops ideas about how a Christian should live "after they believe." It is based on the idea of virtue ethics--that one can develop virtue into a habitual lifestyle. I kept getting so caught up in the ideas (it's heavy wading, but so worth it), I hated to rush through the book just for a grade. I'm looking forward to digesting this book and applying it to my life.

Here are my summer reading book recommendations:

1.) The Maze Runner trilogy by James Dashner


  • I've been waiting for a book to knock me out of my Scorpio Races phase. It took quite a while, but James Dashner has done it. The Maze Runner series as a whole will stick with me for a long time. It's just a great story. Even though I have some complaints (which I will voice in a craft post in the near future), the characters became my friends and the message is not easily decoded or forgotten. Powerful series. My main complaint: the violent images. This series is The Hunger Games gory X2, just to give you an idea. Dashner does not pull punches (which is perhaps why teen boys in particular like the books so much). I did find out after reading this that Stephen King is one of Dashner's favorite writers. No doubt this influenced his ability to describe horrifying pain and death. That said, this series is definitely worth reading. It is my favorite fiction of the year. Bonus: filming has begun for the Maze Runner movie!  
2.) The Mind of the Maker by Dorothy L. Sayers.

  • This classic explains several insightful connections between Christian Theology and the mind of a writer. The "Maker" of the title refers to both the human and the heavenly artist. I read it for class, but I've read Sayers's work before and as usual it was a pleasure. This was my favorite nonfiction read of the year. Sayers had a razor sharp mind.
3.) Speak by Laurie Halse Anderson.
 


  • This book is already fairly popular because of its 2000 Printz Honor, but this classic never goes out of style. It's a quick read or a great listen (you can listen to it using Overdrive audiobooks through the Lakeport Library).
4.) Let the Great World Spin by Colum McCann

  • This is, I have to say, one of my favorite adult fiction reads ever. I read several contemporary adult fiction books for school this semester and this was by far my favorite. Raw, powerful, and sweet at the same time. The author views it as a "911 recovery novel," but says it can be many things to many different readers. I agree. I was only 9 years old on Sept. 11, 2001, but this novel still meant a lot to me in different ways.
5.) Catching Fire by Suzanne Collins.
  • Yes, again. I've read this book once, listened to it another time and will be studying it this summer. It's that good. I highly recommend it. Everybody probably already knows this, but Catching Fire is the second book in the Hunger Games series, and the movie will be coming to theaters November 22, 2013, which is, to say the least, very very exciting. So if you haven't read these two books, this summer is a great time to catch up and prepare for the movie premiere.
I fell in love with very few books, this year. This might be because school kept me busy. If I could honestly recommend more new releases, I would. But now at least you know I don't recommend books on the blog unless I feel they are worth reading.

Enjoy your summer reading, friends! Here is last summer's reading list, if you want more recommendations.

Friday, May 10, 2013

Movie, Book and Industry News

Come OnGreetings Scribblers and Book Bandits,

Today we've got some industry news about self-publishing, and book news about popular teen lit and movies.

Self-publishing has dominated industry discussions over the last few years. I recently read a very professional article about the reality of self-publishing, the pros and cons. Some experienced traditional and self-publishers also offered their opinions in the comment section. I learned a lot from it.

Teens' Top Ten Nominees are in! WOOT! In case you've never heard of the Teens' Top Ten competition, let me explain briefly. Teens' focus groups across the country nominate a list of titles (usually 25, although there are 28 this year) for the teen reading public to devour between April and August 15th. Over the next month, they can vote on their two favorites. YALSA (Young Adult Library Services Association) tallies the votes into a list of the ten ultimate favorites. This is a great way for interested persons to gauge YA interest in reading for the year. Although I typically have to weed out a few low-grade passing fad books, the teens usually do that for me. The very best of the year's crop often make the top ten (such as *ahem* The Scorpio Races *ahem*, my favorite book of the last two years or so). Check out the sweet vid below to see this year's 28 nominees, and click here for book descriptions.



The teens nominated some interesting choices this year! I was thrilled to see Bitterblue by Kristin Cashore, a beautiful book I discussed here. Also, an author who began as a self-publishing superstar, Amanda Hocking, made the list with her book Wake. Someone to keep an eye on. Also on the list is Seraphina by Rachel Hartman, one of the Morris Award Winners (see our Lakeport Library's list of available award-winning teen fiction here and here or find full yearly YA Award lists here). This sounds like a quality read--and plus, there are dragons. I enjoyed The Raven Boys  by Maggie Stiefvater, another nominee. I haven't reviewed it yet because it deserves an in-depth post on craft. Serious, Stiefvater's got chops. (Which, of course, we already know from her Printz-honor winning The Scorpio Races....) Finally, the book I look forward most to reading this year, Code Name Verity by Elizabeth Wein, is on the list. This highly-praised book won a 2013 Printz Honor and was short-listed for the Carnegie Medal in the UK. I hope it wins! Should be great year for the TTT.

Kristin Cashore's book Graceling, has been optioned for a film! This is a great female-lead Fantasy, one I studied for a paper of the genre. In 2009, it was awarded the Morris honor. Thanks to GreenBeanTeenQueen for the news.

Ender's Game by Orson Scott Card is one of the hallmarks of YA and Children's Sci-Fi fiction. I haven't read it but from what I understand, that's kind of like not seeing Star Wars. The movie date is approaching! Check out the trailer below, if interested. Thanks, again to GreenBeanTeenQueen for this news.


Have a good week, friends!

Thursday, May 2, 2013

Unfulfilled Dreams?

Skism    













    



    
     You probably have dreams and ambitions, like I do. Right now, I am grappling with the knowledge that I simply cannot fulfill all of my dreams. In fact, no one can fulfill all of their dreams. We may not even fulfill our one or two most deeply held artistic dreams. Not even if we try our best. Not even if we work really hard. Not even if we're good people, or we spread good Karma or we love Jesus.
   Realistically, my writing might never be published, and I have to be okay with that. What is "getting published" for you? Setting up a gallery? Being a dancer? How will you deal if your dream doesn't come true?
   How can any of us deal with this possibility? How, when we've spent years--two and a half, so far, for me--and lots of money working towards the goal of *fill in the blank*...
   But wait. Is that "goal" really what we are working towards? Will meeting that goal actually make us happy?
     In the video below (2 mins and 25 important seconds of your life), Dave Harvey answers the question, "What is the relationship between ambition and contentment?" I think this is important for writers or any type of artist because...we dream, right? Dream of our book in libraries and burning up the best-seller lists, dream of choreographing the most beautiful sequence...If you have big dreams, you might want to watch this video. It talks a bit about faith because I am a Christian, but it won't bite, I promise!

     Harvey suggests that we can be content with our lives despite unfulfilled aspirations. We have each of our dreams for a reason--they just may not turn out how we think they will. They can turn into something good if we follow them with patience and persistence.
     Maybe you dream of writing, but also of selling cupcakes, or learning to style hair  in your own outrageous fashion tastes, or you wish teenagers would flock to your house and eat all your food and you want to listen to them dream, too. There's a time and a place for our desires to meet and one day they will, even if we don't recognize it at the time. Maybe you won't ever understand your dreams or the work you put into them (scary thought!), but that isn't what matters. It matters that you know you authentically pursued them. You did your best. Even brilliant artists sometimes only became "brilliant" posthumously (such as the author Zora Neale Hurston, or the artist El Greco, just to name a few). As dreamers, we have to be okay with that knowledge if we aren't going to drive ourselves and our spouses and possibly our kids and everyone we love nutty.
     Our goal can't just be publication or however we think our dreams would be "fulfilled." We have to be okay knowing that we may never see validation by others. We have to be okay with knowing we did all we could and we did it well. And, if you are a Christian, you can know you stayed in line with God's plan for your life. Contentment is found there.
     Artists only enjoy life if they content themselves with what they have rather than seeking validation or a certain goal. Focusing on the end goal (getting signed, etc.) truly only brings disappointment because we may never understand why we are blessed with certain talents. Maybe we were never meant to be published or be a famous rockstar; maybe we dream that dream for a different reason than what we can possibly imagine.

Thanks to: Regent University for showing me this video.
Photo Credit:
By Plismo (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons

Tuesday, April 30, 2013

This has nothing to do with writing, but...Jason Collins

Basketball
My husband, like many sports fans, follows Sports Center, and I watch it with him sometimes. A couple of his shows have been discussing the ramifications of NBA player Jason Collins's recent announcement of being gay.

I asked Kevin, "What would you say if you were on one of these sports analyst shows and they asked you for your opinion?" He answered by telling me to check out the opinion expressed on ESPN by sports analyst the Chris Broussard, who is a Christian. I love the way Broussard explained it. If you are interested in hearing it (it caused a lot of controversy, as you can probably imagine), here 'tis:


He later clarified his remarks, which you can read here if you'd like.

All I gotta say: thank you for explaining, Broussard. That took a lot of courage.

P.S. I will still be posting on Friday. I just wanted to support this brave analyst; I love courageous heroes and heroines in books, but this is real live courage. I hope I can be as brave in my writing.

Photo Credit
By Reisio (Own work) [Public domain], via Wikimedia Commons

Friday, April 5, 2013

"Speak": Banning It vs Considering Its Implications

     Awhile back, there was an awful controversy about a book called Speak by Laurie Halse Anderson. (I included links to the articles below.) It was labeled pornographic and inappropriate for its age group (older Middle Grade to younger Young Adult). 
     I read this book in order to consider the claims (thanks to Anne Shirako (a librarian, of course! (check out this triple-nesting)), who challenged me to do this). I listened to the book again just last week to makes sure of my own opinion before writing about it.
     Speak tells the story of a vulnerable, thirteen year old freshmen girl, Melinda, who was raped at a party. Is this too heavy for young people to deal with?
     I would like to put off answering this, first, by asking if it is the content we should be worried about, in a book, or how the content is portrayed? If we apply this latter question to Speak, we can easily see that the difficult subject matter is handled with care and compassion for Melinda and any young readers. In the offending scene, the trauma is addressed carefully. It is not physically graphic. It emphasizes how Melinda stumbled into the situation, and her following reaction: she calls the cops because she knows she needs help...but she is unable to speak. The book consists of the effects of rape on her psychology and emotions. Throughout the book, she struggles out of depression to get help.
     Isn't this realistic?
     The book is "clean" in the sense that most parents, teachers or other concerned adults would worry about. What shocked me was the insinuation that the book is pornographic. Whoever came to that conclusion twisted this book's quiet, sensitive realism. This book is about emotional healing and recovery, not gratuitous teenaged sex.
     So, again I ask, is this age-appropriate material? Yes. It is. Because this could easily happen to an 8th-9th grade girl (or an older girl). They go to parties and get drunk, just like Melinda. If they are hurt in the same manner, if they are scared or if they just don't know what happened, how can they  talk about it? By reading of a heroine just like them. Melinda is that perfect heroine.
    Instead of banning books that include difficult subject matter, such as Speak, perhaps we should talk with teens and pre-teens about the ideas raised, even if we disagree with the book's opinion. Isn't that what young people need? Teenagers especially are looking for answers. I think young people do want to talk about hard things. Some may be more ready than others, of course, but they will rise to the occasion if they are interested. When I was a teen, I didn't want difficult subjects to be hidden from me, to protect me. I wanted to talk about them. Books like this pave the way for frank discussion that may otherwise be too difficult for the teen or parent (or teacher, or whoever) to initiate.
     Not to mention that Speak raises issues teens will need to hear about before they get to adult literature, especially the classics. If teens read classics in school that deal with these subjects, why shouldn't they read about it in a way written specifically for them by authors who love and understand teenagers?
     If you would like to see one of the articles that twists Speak's content out of context and recommends that schools ban it, click here. Unfortunately, he is a Christian. If you would like to read Laurie Halse Anderson's response, click here. Fortunately, she is also a Christian.

Friday, March 15, 2013

Faking It

Yes, it is...a faked unicorn skeleton!
     This post is for scribblers like me who must constantly beat back a gigantic hairy inferiority complex. When I began writing, I felt inadequate (and, in fact, still do). In the beginning, it is so so so hard to put pen to paper or fingers to keyboard or brain-feed to word processor, or however you write, because it feels like everyone already knows this and I'm not saying it right anyhow so why bother? Perhaps you can relate? Humility is an important attribute in a writer, but this isn't humility. This is being scared witless that I have nothing to say to the world.
      As I slowly make my way through classes and textbooks and years of life, I realize more and more how very little I know. It's a backwards process: I think I understand something until I reach into it a bit farther and encounter a new plane of knowledge...then I realize I'd have to walk all the way across that plain as well, if I truly wanted to understand. Things are much more complicated than I thought. This is so entirely scary that I just feel like quitting...which obviously gets very little work done.
      So I just have to fake it. No, wait, don't leave! Let me explain. To convince myself I can write something worthwhile, I have to fake it, at first. Two extremes have developed among writers: 1) Write what you know, and 2) write whatever bubbles up from your soul, man. I think writers learn during the writing process--we don't know everything right at the start. We learn and teach ourselves by writing. In fact, writing a book teaches the writer even more than it teaches the readers. In Madeleine L'Engle's book A Ring of Endless Light, the grandfather comments, "A poet friend of mine told me that his poems know far more than he does, and if he listens to them, they teach him" (70).
     For a long time, I felt it was my duty to write only about what I understood very well so that my readers will understand perfectly, too. Now I know not to wait until I feel like I know everything (because I never will). In fact, even if I feel like I know nothing in the beginning, that's no excuse to shirk brainstorming and idea-gathering. It's actually the perfect motivation.  Writing itself changes and teaches us, so there is no point in "waiting until we know something."
     I'm not saying we shouldn't be researching or outlining for our work--that is a part of writing. What I'm saying is, don't be scared to dive in. And don't get bogged down in those things for a decade, either. Make sure you're writing things, small things, even. Poems carry little images and little truths. Essays develop truths. Flash fiction and short stories begin developing characters who learn and grow. You don't have to write a novel right off the bat. Writing small teaches as much as writing big.
     I know more than I did when I started writing. Viewing life through the thoughtful lens of a writer teaches me more than I learned with my previously-passive eyes. So even when I write something that I worry isn't very good, I remind myself that the only way to get good is to keep trying.
     And until I know, I fake it. That's the only way to push past the insecurity until I actually DO know. As John Truby says, we should "Write something that may change your life."

Works Cited
 
L'Engle, Madeleine. A Ring of Endless Light.

Truby, John. The Anatomy of Story: 22 steps to Becoming a Master Storyteller. New York, NY: Faber and Faber, Inc. 2007. Print.

Photo Attribution
By Wilfried Wittkowsky (own foto / eigenes Foto) [GFDL (www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons

Friday, February 1, 2013

Top 100 Movies

Today’s post has absolutely NOTHING to do with Literature and is completely self-indulgent, but gosh it was fun. Here is my Top 100 list of movies. I got this idea from Nathan Bransford’s blog (which I’m sure you’ve heard of before). Add to the list in the comments, if you like! I need some suggestions for oldies-but-goodies and classics.

1.      The Sound of Music

2.      Hamlet (Branagh)

3.      The Series of Unfortunate Events

4.      Memoirs of a Geisha

5.      The Lord of the Rings (all)

6.      Good Will Hunting

7.      Forrest Gump

8.      Pride and Prejudice (both major productions)

9.      Schindler's List

10.  The Shawshank Redemption

11.  The Princess Bride

12.  Catch Me If You Can

13.  A Few Good Men

14.  The King's Speech

15.  Ratatouille

16.  Monty Python and the Holy Grail

17.  Back to the Future (all 3)

18.  The Hunger Games

19.  To Kill a Mockingbird

20.  The Pirates of the Caribbean (first two)

21.  Batman (all new)

22.  The Hobbit (cartoon)

23.  A Knight's Tale

24.  The Emperor's New Groove

25.  Sherlock Holmes (2009)

26.  The Harry Potters (Yeah, that's right!)

27.  Mulan

28.  The Hobbit (new)

29.  Juno

30.  The Sleeping Beauty

31.  Miracle

32.  Extreme Days

33.  The Whole Nine Yards

34.  The Sixth Sense

35.  Signs

36.  A Beautiful Mind

37.  Swing Kids

38.  A League of Their Own

39.  How To Train Your Dragon

40.  The Sandlot

41.  Liar Liar

42.  Men in Black

43.  The Italian Job

44.  Remember the Titans

45.  Jumanji

46.  Patch Adams

47.  The Lion, The Witch and the Wardrobe (newest)

48.  Casino Royale

49.  Les Miserables

50.  The Help

51.  V for Vendetta

52.  The Oceans (Eleven, Twelve, Thirteen)

53.  Sweet Home Alabama

54.  Never Let Me Go

55.  Iron Man

56.  Phantom of the Opera

57.  Gandhi

58.  Romeo and Juliet

59.  A Walk to Remember

60.  Hangman’s Curse

61.  My Big Fat Greek Wedding

62.  Seabiscuit

63.  Martian Child

64.  The Passion of the Christ

65.  Ransom

66.  Contact

67.  Megamind (you know it!)

68.  The Bournes (minus the newest)

69.  War of the Worlds (2005)

70.  Sister Act

71.  The Guardian

72.  Emma

73.  Kate and Leopold

74.  Monsters, Inc.

75.  Shrek

76.  Fast and Furious

77.  Money Ball

78.  Freaky Friday

79.  Twister

80.  Matilda

81.  The Karate Kid (old version)

82.  Water for Elephants

83.  Speed

84.  The Parent Trap (Lohan)

85.  The Guardian

86.  Hitch

87.  The Illusionist

88.  Flight

89.  National Treasure

90.  The Sorcerer’s Apprentice

91.  Rudy

92.  Zoolander

93. School of Rock

94.  Star Wars

95.  Star Trek

96.  The Blindside
 
97.  The Prince of Egypt

98.  Safe House

99.  Caddyshack

100.  Despicable Me